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Zev has pursued pure colours, geometric edges and the aesthetics of industrial modernity while also extending the pictures tactile and expressive aspects without worrying too much about imagery. The spiritual aspect is just a concept, and the paradox is that the actual art that comes under the conceptual heading of ‘spiritual’ need not be unvisual; that is, it need not be the thing its visually ignorant admirers want it to be: a relief from seriousness. It could actually be serious.